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| 1. Swimming Against
The Stream Skaith/Jones
4:27 |
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The civil rights movement that started in the 1950's in the
USA, fought for the economic and political equality of African
Americans, especially in the Southern States. There the discrimination
was legal and institutionalised. This changed in the 1960's.
The Congress, the legislative body of the USA, passed legislation
that outlawed formal discrimination. But in truth it still
continued. The reforms that the civil rights movement had
achieved were undermined in the 1970's and, especially under
the presidency of Ronald Reagans, to a large extent clawed
back. Today African Americans are economically and socially
even more disadvantaged than they were 25 years ago. Before
they harvested (in the Southern States) cotton, today they
have to work to get their food stamps (a form of social welfare).
The high point of the civil rights movement remains the march
on Washington on August 28 1963, which, with 250.000 participants,
was the biggest demonstration ever held in the country up
to then. During it, Martin Luther King, made his famous 'I
have a dream' speech. One of the actions of the Movement were
the freedom rides. To break down discrimination in the busses
and bus stations, in 1961 a group of black and white demonstrators
(mostly from the north) drove together from Washington to
New Orleans in a Greyhound bus. The attacks from the opponents
of equality culminated in Montgomery, in the State of Alabama,
where only the National Guard protected the freedom riders
from the violent mob.
In March 1965, in Selma, also in Alabama, a black female
demonstrator was murdered by three members of the Ku Klux
Klan. In 1987 in Howard's Beach, New York State, a group of
young black's suffered a car break down. A gang of white youths
chased one of the occupants on to a busy street, where he
was hit by a car and killed. This incident was regarded as
proof that even in the North racism is still as widespread
as before.
Train: Symbol for the road to freedom. Glory hallelujah:
a phrase in many black songs that doesn't only express the
hope of a solution in Heaven, but also freedom in life; amongst
others in the song 'Battle Hymn Of The Republic', also known
as 'John Brown's Body'. ... where the rainbow ends:
1. reference to the saying, 'at the end of the rainbow you
find gold', transformed by the blacks into, 'you find equality'.
2. allusion to the 'Rainbow Alliance' in which Jesse Jackson,
the most popular black politician of the 1980's, tried to
organise the disadvantaged minorities. Jackson made several
attempts to gain the vice-presidential nomination of the Democratic
party, but failed every time. South Side, West Side:
Black ghettos in Chicago. Townships: Black ghettos
in the industrial cities of South Africa.
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2.
Blameless Skaith/Jones
3.35 |
A
song about Judy Garland (1922-1969), real name Frances Gum,
a Hollywood star who even in adulthood could only achieve success
with child roles. Once forced into the this image, Judy Garland
found that she couldn't break the typecasting and was destroyed
by it. Her most famous role was that of the girl (Dorothy) in
the "Wizard of Oz" (1939, Director: Victor Fleming.) She is
carried off into a fantasy world by a whirlwind, where she has
all sorts of amazing adventures. On first arriving, she says:
"We're not in Kansas anymore". The film used only painted backdrops,
which were illuminated from behind when they wanted to simulate
daylight.
To be born in the trunk: Metaphor for natural acting
talent. Who put the grease in your paint: Who put the
unpleasant substance into the makeup? = Who is responsible for
your downfall? They put a star on the dressing room door of
the lead actor. Was Judy Garland's fame so short lived that
her star was only tacked on? What's this long, long lane...: Play on the old proverb: "It's a long long lane that has no
turn." Meaning it may be a long time away, but things are going
to change for the better. Principal boy: The main role
in English pantomime pieces is always played by a girl. The
reference here: Judy Garland always had to play the same roles.
Ed Sullivan Show: The most popular entertainment programme
on US television in the '50's, then still in black and white.
Over your shoulder...: Play on "Over my shoulder" (.went
one care), the most famous song by Jessie Matthew's, a famous
English film star, whose career came to an abrupt end at the
beginning of World War Two. Over and out: Phrase used
by radio operators to signal the end of the dialogue.
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3.
Wounded In Action Jones
4.14 |
MGM: One of
the big Hollywood studios. The host swooped from Rebecca:
A reference to the novel title 'The Host Of Rebecca' Extra
clauses: Both were members of the Labour Party. Here it's
meant that he should have found out earlier by which rules she
lives. The Last Post: A melody played by a trumpet during
the funeral of a soldier.
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4.
Model Son Skaith/Jones
4:10 |
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A song about a father-son relationship. The father, Zodiac
sign Scorpio, was a sailor.
Captain Kidd, Captain Blood: Legendary pirates. Tramp:
Transport ship, which leaves its home port without a set route
or schedule. Jacksonville: A city in Florida. Reef,
hitch: Two sailing knots; reef (also); a hard to navigate
reef, hitch (also): colloquial for problems. By grace:
Like in: by the grace of God.
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| 5.
After Maralinga Skaith/Jones/Waerea
5:32 |
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In the 1950's in Maralinga, in Australia, the British Government
carried out nuclear tests. The safety precautions for the
soldiers involved and the local population (in this part of
the country mostly Aborigines) was grotesquely inadequate.
130 cases of severe health effects on British soldiers are
recorded. This song was written before the Government had
declared itself prepared to pay them compensation. In the
language of the Aborigines 'Maralinga' means 'thunder'. At
the end of the song a Didgeridoo, a wind instrument of the
Aborigines, is played.
The Crown's affairs: Area of responsibilities of the
British crown. Out-back: Adjective for the sparsely
populated areas of Australia, especially the interior, where
predominately Aborigines live. Song-men: Aborigine
singers, who keep and pass along the history of their people
in their songs. Half-life: The time taken for half
the atoms in a sample of a radioactive isotope to decay. Down-under:
Colloquial expression for Australia. The moving finger:
Symbol for fate, used for the first time in a novel by Omar
Khayam, an allegedly Arabic writer (who however turned out
to be a European). The expression has taken hold in everyday
speech. Treasury: The UK Ministry responsible for the
management of the economy.
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| 6.
Dominion
Skaith/Jones 4:55 |
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Out of greed for profits animals are hunted and exterminated
wholesale. They are used as exotic delicacies and as exclusive
fashion items. Some species, like the Lemur (a rare species
of primate) and the rhinoceros are in danger of extinction.
The felling of the tropical rainforests means that the habitat
of those who survive the hunters is drastically reduced. The
hunters aren't to blame - they need the work to survive -
but rather the dealers and end consumers. Scientific studies
remain without practical consequences.
Ramadan: The month of fasting in Islam. During Ramadan,
a Muslim is forbidden to eat or drink from sunrise to sunset,
therefore he can't work very hard. Man's dominion:
Reference to the Biblical creation story: 1st book of Moses,
Chapter 1, Verse 28. Belem: A city in Brazil, capital
of the Amazon region whose rainforests have been systematically
felled. Cheetah: The Indian leopard, the fastest animal
on land For those who don't know: A reference to Oscar
Wilde's definition of a cynic: "A man who knows the price
of everything and the value of nothing". Geelong: A
small town near Melbourne, Australia. Raise to the power
ten: A metaphor meaning that only a small portion of the
animals that are killed by humans actually reach the consumers.
To get to the number of animals that are victims of the hunt,
you have to multiply the number of those that arrive here
(dead or alive) ten times by themselves. (The calculation
is only understandable pictorially)
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| 7.
Close This Account Skaith/Jones
3:19 |
A song about pornographic videos.
The faces of the children and the Vietnamese (representative
for Asians), who appear in the videos seem to express that they
don't understand what is being done to them. In Amsterdam many
videos are offered in which animals are also included.
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| 8.
Something Isn't Happening
Skaith/Jones 3:35 |
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A song about the move to the right under Reagan and Thatcher.
Nothing is happening to resist them.
Bible Belt: Description for the South and parts of
the Mid-West of the USA, where, especially in recent years,
conservatism and religion go hand in hand. Weimar:
Short for the Weimar republic, here meant as a short democratic
transition phase between Monarchy and the rule of fascism.
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| 9.
Race Me Down Skaith/Jones
4:12 |
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Felipe is a Mexican immigrant in Los Angeles. His hopes have
been shattered; he couldn't make it out of the "Barrio", the
Latino Ghetto. The population of the Barrios lead a wretched
life: the windows of the shops have been smashed, but hardly
anyone can afford the goods on display anyhow. Only the advertising
slogans are free. The meat from the hamburgers you can buy
there are full of bits of gristle that you have to spit out.
Comfort can be had from relatively cheap drugs. Felipe's brother,
who dealt in them, sits in jail. He couldn't afford to pay
the protection money to keep up his business.
Felipe shows a curious white tourist the Barrio, but they
stay there too long, until after sunset. It gets too dangerous
in the streets then, especially for an outsider. There's a
literal curfew in force. Now the two of them are forced to
rely on each other, but nothing connects them.
Dust of angels, angel dust: A drug that induces feelings
of being all-powerful. Originally developed as a sedative
for animals. To crack in two: a wordplay with the drug
crack.
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| 10.
It Makes My Heart Stop Speaking Skaith/Jones
3:54 |
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A skeptical song about Latin Quarter themselves. With 'anthems
for the people', the band wanted to contribute towards a fairer
world. But their songs were ineffective. You can't buy food
or clothes with a song. Instead, society seems to have moved
in the opposite direction; selfishness and greed are more
and more in first place, even at the cost of others. The underprivileged,
on the other hand, are as badly off as before. Ideals and
utopias are no longer called for. Reality is more complicated
than the lyrics of a political song portray. But one shouldn't
despair, but decide between the love of power and the power
of love.
Underclass: Sociological term for that part of the
population that has been locked out of the process of production
and who don't represent an attractive target market of consumers:
The long-term unemployed, people on social assistance and
slum dwellers. Three little words: Play on "three little
words means I love you".
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| 11.
A Slow Waltz For Chile Skaith/Jones
3:58 |
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A song about the work of the solidarity campaigns for Chile,
first for the Socialist Government of Allende, and then, from
1973, against the dictatorship of Pinochet.
To consolidate we must advance: was the catchword
of the radical Left before the putsch in September 1973, whereas
the temperate Left pleaded for an alliance with other political
currents, that Allende also strived for. Quick step:
A fast dance, here used as a contrast to the slow waltz.
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| Reviews |
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Latin Quarter's third album sees them on familiar
but welcome ground. Lovely, almost twee songs are beefed up by Mike
Jones' excellent and uncompromising lyrics whilst Jones himself
neither plays nor sings (save for the occasional backing vocal).
Steve Skaith is an ideal mouthpiece for Jones. His unique voice,
earnest, pleading and yet restrained, gives a distinct pathos and
credence to Jones' heartfelt semi-pose. "Race Me Down (Feipe's Song)"
has a beautiful melody amidst a song of shanty towns, "Dominion"
rails against the senseless killing of animals, "Close This Account"
patiently explains why pornography is wrong, and Blameless puts
America right. If this sounds like the work of trendy dilettantes
and dogmatists, then think again, "Swimming Against The Stream"
simply doesn't sound like that. Inspired. John Aizlewood
(of Q Magazine)
This is the third, and finest album, from a band
whose rise to maturity has been dramatic. Latin Quarter have a pop
album of enduring good quality ... producers David Kershenbaum and
Paul McKenna have given their sound a wonderful new sheen and confidence.
"Swimming Against The Stream" is full of easy swinging melodies,
offbeat musical ideas and challenging lyrical suggestions. Steve
Skaith's clear, high singing voice (on great form) is played off
against Yona Dunsford's equally sweet vocals, in some truly mellow
pop choruses. Underneath, the songs are busy with ideas: an array
of percussion sounds, new instrumentation and guest musicians like
David Lindley...
Latin Quarter have not only returned with a new elegance, but also
with a new sharpness to both their sound and their political commitments.
Behind the modern chart production, subtle protest songs are lurking:
"A Slow Waltz For Chile" hits the mark exactly, and is surprisingly
moving. The title track comments bleakly on American civil liberties,
while the best number is "After Maralinga" (a cheery tale of nuclear
testing in the Pacific), which cuts its swirling pop path through
an intro of didgeridoo, harmonica and echoing guitars. It's haunting
stuff. Anthony Denselow, The Sound
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| Album
Credits |
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Latin Quarter
Yona Dunsford - Vocals and Keyboards
Greg Harewood - The Bass Guitar
Mike Jones - Lyrics
Steve Skaith - Vocals
Richard Wright - Guitars
Additional Musicians
Paulinho Da Costa: Percussion
Denny Fongheiser: Drums
Judy Gameral: Concertina & Hammer Dulcimer
David Lindley: Violin, Mandolin, Banfo, Hawaian Guitar
Tony Waerea: Didgeridoo
Steve Sidelynck: Additional percussion on "Dominion"
Jerk Bondy: Drums & Synth programming on "Dominion"
Jane McCord: Military snare drum on "After Maralinga" along with
Greg and Richard
Additional Vocals: David Kershenbaum, Greg, Richard, and Mike
Muscians who helped in the demo stage of the album:
Robin Williams, Graham Fuller, Mauricio Venegas
Production Credits
Produced by David Kershenbaum
and Paul McKenna
Engineered and Mixed by Paul McKenna
Assistant Engineers:
Craig Doubet, Willy Joe Bob Levins, Jane McCord
Mastered by Steve Hall
Artwork
James Swinson
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